Listen to Mabel’s full interview on ‘Table Manners’ at.
And started writing again, which has been, you know, really good.” She added: “And then I just was like, let me just do a year of like, just trying to have my head as clear as possible. However, the time off worked wonders for her, and Mabel was able to get back to writing songs again. And you’re like, Well, I kind of agree with you. “And then you’re going on stage already scared that people are going to say bad things, and then you’re not performing to your best ability, and then it becomes a Catch-22 because people say terrible things. And I was just like, you know, going on stage in complete and total utter fear, because I would have seen one comment about something. Like the way that I looked, I’d become completely obsessive about it. She shared: “And the social media thing had gotten too much like people just scrutinising. To subscribe and never miss a music biz story, click here.Mabel wrote Dont Call Me Up with Camille Purcell, and Steve Mac, who also produced the song. One of the things that affected the star was the scrutiny of her appearance on social media, which would fill her with dread before going on stage and make her obsess over her looks, which she believes impacted her performance. And that was, I’ve got time to myself and had time to just like, remember things that I like, and I started riding horses, again.” She continued: “And then lockdown happened. The lockdown came at the perfect time for the ‘Don’t Call Me Up’ singer. And I think after that I was maybe going to make a little announcement of just like, not being in the best place personally, and just needing a grace period.” In a candid chat on Jessie Ware’s ‘Table Manners’ podcast, she said: “I didn’t drink for a whole year, why I took a year off because I went through like a personal thing, which I don’t mind talking about, which is just like, I just felt after the busiest year of my life, like I completely lost myself personally. If Bren has permission, asking him would be the first step to be involved, obtaining permission for yourself.The 26-year-old singer has opened up about her struggles right before the COVID-19 lockdown, admitting she was “not in the best place personally”, and needed to quit booze and take some time for herself to do the things old Mabel would do. In some rare cases an unofficial remix becomes official but yes, technically the link above might be illegal. Most if not all "official" remixers made their name being "unofficial" first. It's a lot easier to get it replayed and deal with publishing. Finding and paying the right owners to get a yes can get complicated. Sometimes clearing a sample can be expensive. 02:00.94Don't call me up 02:05.17So don't call me up 02:10.74Don't call me up 02:15.15I'm over you and I don't need your lies no more 02:19.88'Cause the truth is, without you, boy, I'm stronger 02:24.75And I know it's sad that I changed, have a cold heart 02:28.50But it was your game that left scars 02:30.73Ooh, I'm over you 02. It's at a later stage companies like REPLAY HEAVEN, SCORCCIO are used to replay it.
Producers working on it will often share this version. Many tracks at some point in production feature a rip from somewhere. to which it's still perfectly OK to collab. If he has the official stems (which he obviously doesn't) they'd either be freely available (remix comps etc) or not for distribution. I'd of pitched the track from the promo myself. I asked for the stems, meaning the parts he'd created (and the MIDI).
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